Doctrine
This article is available to RIDA subscribers only.
Plagiarism is not a new phenomenon. The exponential development of the music industry during the 20th century has made the stakes quite spectacular, particularly on the financial level, due to the counterfeiting of musical works. There is currently no commercial product on the market dedicated to the detection and analysis of musical plagiarism. This study examines thoroughly the state of research in this field as well as the outlooks and urges of the sector, and then identify the technological obstacles hindering the emergence of satisfactory solutions.